The big question gets answered—sort of. How did Mad Max: Fury Road, the 4th installment in Australian director George Miller’s saga –which began in the 1980s with Mel Gibson–of life in a post apocalyptic world do with film critics at the 68th Cannes film festival here in the land of Cinema?
Answer is pretty great, as the assembled world press signed off with such assessments as “It’s pure cinema, it moves, it doesn’t ask more.” Movies, after all, is a contraction of moving pictures. You want ‘em, you got ‘em in Fury Road.
