I have checked out not just one Mission Impossible, but two, the latest Mission Impossible: Dead Reckoning Part One with Tom Cruise returning as agent Ethan Hunt in the 7th installment in the series, and Oppenheimer, with Cillian Murphy in Christopher Nolan’s large-screen epic about the race to beat Germany to the atomic bomb in WWII.  Tune in here to...

We’re in the final hours of Oscar chatter which began about a year ago and ends with the 95th Academy Awards this Sunday night. Oscar handicapping usually starts just after the last one ends, but last year, we were consumed for weeks afterwards by The Slap. I see a cosmic battle for control of the culture...

The most anticipated film this year at the 76th Cannes Film Festival was Killers of the Flower Moon directed by one of just about every cinema lover’s modern heroes, Martin Scorsese, adapted from New Yorker writer David Grann’s 2017 historical account. I don’t begrudge Marty another Mob movie, it’s what he does and what often needs being...

AIR had its premiere at SXSW, where I recently reported on the beefed-up selection of films. The new Ben Affleck directed film, in which he stars with his Boston buddy Matt Damon, was a three pointer from center court in Austin.  To listen to the broadcast of this review, link to The WBGO JOURNAL on WBGO Public...

It’s Sundance film festival time, and this year’s edition, which closes this weekend by announcing winners in both feature and documentary competitions in the US and internationally, showed better than 100 feature length films from 23 countries, of which nearly 95% are world premieres. 32 films are by first time directors, and 17 were developed...

The 94th Academy Awards, which concluded last Sunday night, confounded just about everyone who watched it—whether they were in the elite crowd inside the Academy’s return to the Dolby Theatre or like the rest of us, flopped out on the couch. Whatever else it was, Oscar night this year will be known forevermore as Not the...

Festival is misleading or even a misnomer. The important A-list fests are really conventions, a cross between sales conventions to introduce the new line — in the garment industry parlance of my salesman father — and marketing launchpads for the coming season of film debuts. We’re in the festival year’s far turn with Venice and...

Lisa Hurwitz’ The AUTOMAT, which came out of the Telluride Film Festival and opens this week at the Film Forum in Manhattan, is a seductive dive back through time into the art deco origins of the Horn & Hardart Automats. You may remember those magnificent walls of little glass door cubbies full of mac and...

Top Gun: Maverick brings Tom Cruise back to the screen, flying faster than a speeding bullet, doing his own stunts in jet planes, blowing stuff up, reclaiming the pretty girl he left behind and burning a hole through the screen with his white, hot teeth as usual.  This cruise missile will land at the 75th Cannes Film...

Festivals are organized fantasy markets, every so often featuring great fantasies and great actors who “play” and sometimes move or even inspire us. The rather humdrum opening of the 75th Cannes Film Festival, Tuesday night 17 May, with some 3500 people packed into the two main halls, The Lumiere and the satellite Debussy (for the...